The Fort Worth Press - James Cameron -- childhood drawings and dreams inspired Hollywood blockbusters

USD -
AED 3.67296
AFN 68.986845
ALL 88.969965
AMD 387.270403
ANG 1.802796
AOA 927.769041
ARS 961.531104
AUD 1.470588
AWG 1.8
AZN 1.70397
BAM 1.753208
BBD 2.019712
BDT 119.536912
BGN 1.752304
BHD 0.376921
BIF 2899.760213
BMD 1
BND 1.29254
BOB 6.912131
BRL 5.514604
BSD 1.000309
BTN 83.60415
BWP 13.223133
BYN 3.273617
BYR 19600
BZD 2.01627
CAD 1.35825
CDF 2871.000362
CHF 0.850342
CLF 0.033728
CLP 930.650396
CNY 7.051904
CNH 7.043005
COP 4151.84
CRC 519.014858
CUC 1
CUP 26.5
CVE 98.841848
CZK 22.451204
DJF 177.720393
DKK 6.681904
DOP 60.041863
DZD 132.138863
EGP 48.452557
ERN 15
ETB 116.075477
EUR 0.894904
FJD 2.200804
FKP 0.761559
GBP 0.75092
GEL 2.730391
GGP 0.761559
GHS 15.725523
GIP 0.761559
GMD 68.503851
GNF 8642.218776
GTQ 7.732543
GYD 209.255317
HKD 7.79145
HNL 24.813658
HRK 6.799011
HTG 131.985747
HUF 352.180388
IDR 15160.8
ILS 3.781915
IMP 0.761559
INR 83.48045
IQD 1310.379139
IRR 42092.503816
ISK 136.260386
JEP 0.761559
JMD 157.159441
JOD 0.708504
JPY 143.81504
KES 129.040385
KGS 84.238504
KHR 4062.551824
KMF 441.350384
KPW 899.999433
KRW 1332.490383
KWD 0.30507
KYD 0.833584
KZT 479.582278
LAK 22088.160814
LBP 89576.048226
LKR 305.193379
LRD 200.058266
LSL 17.560833
LTL 2.95274
LVL 0.60489
LYD 4.750272
MAD 9.699735
MDL 17.455145
MGA 4524.124331
MKD 55.221212
MMK 3247.960992
MNT 3397.999955
MOP 8.029402
MRU 39.752767
MUR 45.880378
MVR 15.360378
MWK 1734.35224
MXN 19.414904
MYR 4.205039
MZN 63.850377
NAD 17.560676
NGN 1639.450377
NIO 36.81526
NOK 10.484204
NPR 133.76929
NZD 1.60295
OMR 0.384512
PAB 1.000291
PEN 3.749294
PGK 3.91568
PHP 55.653038
PKR 277.935915
PLN 3.82535
PYG 7804.187153
QAR 3.646884
RON 4.449904
RSD 104.761777
RUB 92.240594
RWF 1348.488855
SAR 3.752553
SBD 8.306937
SCR 13.062038
SDG 601.503676
SEK 10.171204
SGD 1.291204
SHP 0.761559
SLE 22.847303
SLL 20969.494858
SOS 571.648835
SRD 30.205038
STD 20697.981008
SVC 8.752476
SYP 2512.529936
SZL 17.567198
THB 32.903649
TJS 10.633082
TMT 3.5
TND 3.030958
TOP 2.342104
TRY 34.122804
TTD 6.803666
TWD 31.981038
TZS 2726.202038
UAH 41.346732
UGX 3705.911619
UYU 41.33313
UZS 12729.090005
VEF 3622552.534434
VES 36.777762
VND 24605
VUV 118.722009
WST 2.797463
XAF 587.999014
XAG 0.03211
XAU 0.000381
XCD 2.70255
XDR 0.741335
XOF 588.001649
XPF 106.906428
YER 250.325037
ZAR 17.43056
ZMK 9001.203587
ZMW 26.482307
ZWL 321.999592
  • RBGPF

    3.5000

    60.5

    +5.79%

  • CMSD

    0.0100

    25.02

    +0.04%

  • NGG

    0.7200

    69.55

    +1.04%

  • GSK

    -0.8200

    40.8

    -2.01%

  • SCS

    -0.3900

    12.92

    -3.02%

  • CMSC

    0.0300

    25.15

    +0.12%

  • BTI

    -0.1300

    37.44

    -0.35%

  • RELX

    -0.1400

    47.99

    -0.29%

  • RYCEF

    0.0000

    6.95

    0%

  • BCC

    -7.1900

    137.5

    -5.23%

  • RIO

    -1.6100

    63.57

    -2.53%

  • VOD

    -0.0500

    10.01

    -0.5%

  • BP

    -0.1200

    32.64

    -0.37%

  • AZN

    -0.5200

    78.38

    -0.66%

  • JRI

    -0.0800

    13.32

    -0.6%

  • BCE

    -0.1500

    35.04

    -0.43%

James Cameron -- childhood drawings and dreams inspired Hollywood blockbusters
James Cameron -- childhood drawings and dreams inspired Hollywood blockbusters / Photo: © AFP

James Cameron -- childhood drawings and dreams inspired Hollywood blockbusters

James Cameron, the mastermind behind "The Terminator", "Aliens" and "Titanic", has an exhibition opening in Paris Thursday showcasing his lesser-known skills with pencil and paper.

Text size:

"The Art of James Cameron" is at the Cinematheque Francaise until January.

The 69-year-old met AFP there to discuss the childhood origins of his films, his thoughts on artificial intelligence and a few teasers about the third "Avatar" film, due in 2025.

How important was drawing when you were a child?

Drawing was everything. It's how I processed the world. I was reading, watching films, taking in all the storytelling, and I just had to tell my own. I remember very distinctly (aged eight or nine), I went to see the film 'Mysterious Island'. And I was so amazed by the big creatures and the giant crab, but I didn't go back and draw 'Mysterious Island'. I drew my own version with different animals.

I remember in high school being very serious about disciplining myself to draw in all kinds of different styles. I created my own comics. I thought maybe I'll write a novel and illustrate it. They didn't have graphic novels yet, but I was thinking in panels… so I was really thinking in shots. The transition into filmmaking was really pretty easy.

How did these early drawings inspire your films?

(My first 'Avatar' drawing) was done when I was 19 so that was 50 years ago. That drawing led me to think about a bioluminescent world and I wrote a story about that in the late 70s. In the early 90s, when I founded a visual effects company and we were trying to do computer-generated characters and creatures, I needed a script about another planet, and so I went back and found that artwork, and that became 'Avatar' -- in 1995.

'The Terminator' image came to me in a dream. I was sick, I had a high fever, and in that fever dream, I saw a chrome skeleton emerging out of a raging fire. I drew it right away. And then I thought: 'How did he get in the fire? What did he look like before?' And I knew instinctively that he looked human before the fire.

I had dreams as a kid of going through watery tunnels at high speed, kind of like a circulatory system, that wound up in the abyss. I had a nightmare about being in a room where the walls were covered with hornets that would kill me, and that became the scene in 'Aliens' where she runs into the egg chamber.

Are kids today losing these skills due to technology?

I don't think we can go back, but I think it's important for people to unplug from time to time. It's important to spend time in nature, to spend time with yourself, just quiet the mind. People are very creative but if you're constantly being bombarded by other people's creativity with movies, games, with the constant flood of media, it tends to stunt it.

Drawing is becoming a lost art. Even the artists that work with me now, they don't usually put pencil to paper. They think of me as the dinosaur because I come in and draw something. But I have to feel it in the lines and textures.

Are you worried about artificial intelligence?

The problem is there's multiple flavours of AI, some of which aren't here yet. Artificial general intelligence is a giant question mark. I think we should definitely pump the brakes on that.

In terms of generative AI... that's really interesting because the data they scrape is all the imagery that human beings have ever created. We're putting our subconscious mind out into the world, and it's coming back to us through these images. That's why they're so compelling, because it's really us writ large. We're going to learn something about consciousness and about art.

But there's no original. There's no paint on a canvas. You can use gen-AI to create music, but you can't take it on the road. I think the human artist becomes more important. Music is going to have to be about the actual moment of performance.

Can you give us an update on 'Avatar 3'?

In movie three, we're in a transitional state between fighting for the survival of Earth and of Pandora. We're exploring other cultures on the planet, and solidifying the bad-guy story. There's a bunch of new things that happen to the Sully family... and we drop in one important new character who then becomes a major part of the story. You've got to remember this is a story arc that goes from one all the way to five, and we're right in the middle.

But I can promise this: Whatever you think it's going to be, it isn't.

A.Maldonado--TFWP